Stained Glass Burnham Deepdale St Mary's Church Norfolk

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The window contains medieval fragments including the upper part of a censing angel swinging a three chained censor above her head. Particularly lovely is the partial figure of St Mary Magdalene dressed in a pink robe with a gold border, carrying a pot of ointment.

The window contains medieval fragments. At the apex of the window is a merchant's mark below this are a series of angel's heads, including one playing a wind instrument.

The most important piece is the large 15th century roundel, which depicts the Trinity, a similar style panel can be found at Thursford. In the lower part of the window we see a crowned, nimbed Queen accompanied by a sheaf of arrows which indicate that she is likely to St Ursula. Below this are rose-en-soleil quarries and an IHC roundel. The word Gelda can be seen at the bottom of the window, which would have been used to denote a window provided by a Guild,

This c1875 window designed by Frederick Preedy is a nativity scene. It is similar in colour & execution to the east window.

The window contains 14th & 15th century fragments which include part of a heraldic border.

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This window, designed c 1902, is dedicated to the memory of Henry Cook who died at sea in the same year. The main light contains an Arts & Craft style figure of Christ which is fairly typical of glass being produced at this time.

Designed by Frederick Preedy c1873, the window is dedicated to Edward Blyth (rector of church for 30 years) who died in 1855 and his wife Susannah d1873. The main lights depict scenes relating to Christ’s death, namely: “Christ receiving the cup” in the Garden of Gethsemane, “The Crucifixion” and “The Marys at the Tomb.” The angels in the lower lights carry banners joyfully proclaiming “Abba Father it is finished, he is risen.”

The window is characterised by its very bright Victorian colours and contains “typical” Preedy detail, similar to that seen in his North aisle window, which depicts scenes form the Nativity

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A 19th Century window containing quarry panes, with a leaf motif, and a patterned border.

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A Powell designed window installed c1853. A tracery panel carries the message “In hope of Eternal Light”

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Window composed of fragments

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This window installed c1873 can probably be attributed to Preedy. It illustrates Proverbs 11:18 “To him that soweth righteousness, shall be a sure reward” i.e you reap what you sow.

The rather unusual panels illustrate four scenarios. Namely seeds sown: on the wayside are eaten by birds, on the road & among thorns do not flourish. However those that fall on good grounds yield a bountiful crop.

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This window designed by Henry Holiday c1914 depicts the Annunciation. Here Holiday has used his favourite combination of an elegant Pre Raphaelite portrayal, over which he has added cassical canopies. It was made in memory of George Ruben Bissaker who died in 1911 & his wife Thirza who died three years later.

The window is composed of mainly medieval fragments which include an angel's head, a wheel and a crown

The window is composed of mainly medieval fragments. These include a brilliant representation of “the man in the moon”, which intriguingly would have originally accompanied a 15th century Crucifixion together with a representation of the sun